Help I am clingy and need love

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ShaylaPlumFairy's avatar
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So, the Timeline Tales is kicking my tush and I need help.
All of sudden, I've got a huge deadline looming in the distant future. Disney has announced that they want to make a live-action version of the Nutcracker, and they want it to be their next Alice in Wonderland. Kind of pisses me off, but that's a story for another time with a lot within that. I'm dreading it. However, people will have a greater interest in the story of the Nutcracker, so if I want to get my work noticed, that's the time to do it, before everyone else starts jumping on the bandwagon. I've already found three other novel versions of the story, so I want to get this done quickly, and I want it done well.
I'm at a block in terms of developing major aspects of my story. While several small details are falling in place, some key elements will not be going anywhere. I'm already seeing the signs. Thus, I'm wondering if I should adjust some of the my other plots, and keep Nutcracker and Coppelia, since they are most well-rounded and fit best together. 
With my characters, I'm thinking that I have so many in my story, that they're all starting to feel the same or one-dimensional. Giselle is just like my version of Pirlipat, Albrecht is coming off as a younger Drosselmeyer, and Nathaniel is dumb as a box. I've got nine well-developed characters, four main (Clarisse, John, Drosselmeyer, Svetlana,) and five supporting characters, (Fritz/Freddy, The Snow Queen, Ivan/Mouseking, Lorelei/Rosamund/Sugarplum, and Pirlipat.) They all fit nicely into archetypes, which will work in my favor. I may just end up dropping everyone else, besides the obvious family members and such, and starting fresh.
Even then, my plots are messy. Coppelia and Nutcracker work well together, with similar themes and details, thanks to Hoffmann, but Giselle and Swan Lake aren't. I only have scenes for them, and they aren't even that fleshed out. I liked Odette and Rick Siegfried, though, so I'll tuck them aside for now.
Anyway, in order for those to work, I'd have to develop two magical species from scratch, and I'm not up for that. I'd prefer to work off of more familiar things. Hopefully this would help my worldbuilding, if I can focus more on magic, technology, and geography.
I'll be rooting through my story graveyard and seeing what jumps out, not to mention doing more research on other stories (yeah!) and copyright laws and such (ugh.)

Anyway, for those who want to help, here's what's staying:
  • The setting of Cockaigne (Look up Schlaraffenland, Cuckoo-land, or Toyland for variations.)
  • Clarisse/Clara, John/Hans, Drosselmeyer, and Svetlana
  • Fritz/Freddy, Pirlipat, Lorelei/Rosamund, Ivan, and The Snow Queen.
  • Themes/Symbols of magic, dolls and toys, types of love and heartbreak, death, and time
  • Fae races
  • The Nutcracker, Coppelia, and all the things within those 
Thigns I'll be dumping/setting aside for now:
  • Giselle, including the characters and wilis
  • Swan Lake, including the characters and the fictional species for that.
  • Heavy emphasis on ballet and the seasons
Any ideas you want to throw my way? Favorite fairy tales? Etc.?
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Merdragon's avatar
Cutting out the rest and saving them for a later project would work better in your favor. So it's good you realize this sooner than later. Sometimes too many charaters will cause to over whelm the plot that you want.

The problem with me suggesting any favorite fairy tales is that the ones I like aren't very well known and may give you the same problem you have with Swan Lake. Hans Christan Anderson' The Nightingale and the Grimm's All Fur (a verant of Donkey Skin). So I wouldn't recommend those two unless you are actually familiar with those stories (the other one of Anderson is the Little Mermaid, but that's been done to death I'm aware.)

Maybe if you just play with finding inspiration that has similar themes to the Nutcracker to play off what you already have. That's what I have done with some ideas in the past to recreate the idea. Instead of trying to mash things that don't make sense, find references that are similar but played with a different angle.